Marine Drones, Jamming and Full Frontal Nudity
Hah got your attention there. The connection is Austrian-American actress Hedy Lamarr pionere of Cinematic nudity, Marine drone technology and the anti jamming anti interference technology on which WiFi is based.
Notable for the first Hollywood (update: Kaleberg notes that the scene was in “Ecstasy” and that Ecstasy was a Czech production) full frontal nudity scene and the concept of an un jammable, uninterceptable, radio controlled torpedo. Lamarr was born in Austria and married a guy who owned a company which made torpedoes. Post WWI when Austria became land locked, the guy felt a bit Von Trapped. He welcomed the anschluss, she did not, leaving him and Austria. Later she married another guy who made player pianos (update 2:Kaleberg also notes that the player piano guy wasn’t one of Lamarr’s many husbands — I blame The Economist for this mistake (but can’t share the agony of the ecstasy mistake)).
Trying to deal with trouble with her native now annexed country, she thought of combining torpedo and player piano technology with the idea of an un-jammable radio controlled torpedo with player piano mechanisms in the torpedo and the craft that launched it synchronized to change the freequency of transmission/reception in an apparently random pattern. This is the technology my WiFi modem is using to avoid interfering with my neighbor’s WiFi modem.
There is another approach to avoiding accidental jamming (which works just as well to prevent deliberate jamming). It is the way cell phones avoid jamming each other. Unlike the Hedy Lamarr technology it is inherently digital. First consider digital to be 1 and -1 not 1 and zero. Then choose an apparently random series of 1 and -1 (the code) and multiply it by the signal. The product will be apparently random numbers to anyone who doesn’t know the code.
This can be used to make an unjammable signal at the expense of bauds (or whatever bits per second are called these days). make a slowed signal with always 100 1s or -1s in a row. Mutliply it by the apparently random 1s and -1s. send it (allong with dozens of other similar signals from the other guys phone). If you multiply by the code, then you get the 100 1s or -1s in a row plus background noise with variance 0.01 – or with dozens of competing signals variance — well low enough that rounding to 1 or -1 eliminates it.
The two approaches can be combined if the signal is not 100 1s in a row, but 1 sent over 100 different frequencies and the apparently random 1 and -1 is 1 for 50 frequencies and -1 for 50 frequencies. If one doesn’t know the apparently random pattern of 1 and -1, one can’t jam the signal. Figuring it out is like breaking a modern code — it is an NP problem which can be solved once one gets quantum computers to work.
Importantly the apparently random series is made with a pseudo random number generator based on a seed. A new seed can be transmitted (the coding prevents intereception as well as preventing jamming) so the code can be changed say once a second.
All of this requires digital technology which costs cents and weighs a fraction of a gram. It can be put in cardboard drones.
Now there is a strong rule — don’t put all your eggs in one basket — that one should not count on technology which one hopes will never fail but which has a common failure mode. In spite of that, I think counting on unjammable signal technology keeping ahead of jamming technology is the best available bet and propose going full drone and giving up on manned aircraft and crewed ships.
Update: Angrybear 9/21/2023 New York Times 9/22/2023 “The drones have begun to make a difference in one corner of a stagnant war, soldiers, commanders and pilots said in interviews, because their different materials and variable frequencies can evade enemy jamming systems” , “starting in the summer, a flurry of tweaks to drone designs and radio frequencies began to allow Ukrainian pilots, who had initially lost dozens of drones in the opening weeks of a counteroffensive in the south, to send their drones far beyond the front line”, “Operators also switch between frequencies mid-flight or fly close to the ground to evade Russian units trying to track them”, and “The solution his teams have created — using drones with few metal parts and frequently shifting radio frequencies”.
Hedy Lamarr thought of that before she ever took her clothes off in front of a camera.
Best title of the week!
About WW II torpedoes.
Operation Pacific. The 1951 John Wayne Patricia Neal flick about submarine operations in the Pacific keyed on failure to detonate common to Mk 14 torpedoes.
In real life the firing pin design flaw fixes was recommended by Albert Einstein.
That model torpedo was designed in the 1930’s had an optional magnetic detonator to over come torpedo shields on larger naval ships.
The design test had two torpedoes fired in Hawaii. One worked, one failed. The testers presumed the misfire was an anomaly.
A case study in poor test design, too little money/time, and bureaucracy. Early response to complaints from submarines who survived patrol blamed the operators or care on board of the torpedo.
Ecstasy was a Czech production. Lamarr had been active in the Prague theater scene since she was a teenager, so she was a natural for such a movie acting au naturel. She made Ecstasy before she married an arms dealer and started to develop her ideas for what we would now call a TDMA based anti-jamming system.
Lamarr collaborated with the composer Antheil who was noted for his modernistic productions. One involved an airplane engine and a dozen synchronized player pianos, a technical tour de force. Its debut, in Paris, was a disaster which made it something of a succes de scandale. On the other hand, Lamarr realized that synchronization was an important element in her system and that Antheil was an expert in such synchronization. They worked together for years but were never married.
Lamar was a real genius, but her bread and butter was being beautiful and having some acting chops. High tech was just a hobby, and she took it seriously. Hollywood paid better.
Austria-Hungary, before the first world war, was a major naval power, and its navy was the first to field torpedoes. (Originally, the term “torpedo” referred to what we would now call a “mine”, but the term changed with the invention of the self propelled torpedo.) Interestingly, the mother of the Trapp family children from the Sound of Music was the daughter of the Austrian inventor of the naval torpedo. I, too, thought it was odd that a film set in the Alps starred a slow singing naval officer.
Hedy Lamarr, nude in ‘Ecstacy’ was a pretty big deal back when I was a teenager, not that I ever saw the movie, alas. That was about 30 years after 1933 however. Turns out she was also quite smart.
Ecstasy (film) – Wikipedia
Ecstasy (Czech: Extase; French: Extase; German: Ekstase) is a 1933 Czech erotic romantic drama film directed by Gustav Machatý and starring Hedy Lamarr (then Hedy Kiesler) …
Robert:
Interesting movie about Hedi Lamar on Cable. Did not watch all of it yet. In the beginning they talked about how she came to the US and her name. Got as far as the varying radio wave-controlled torpedoes.
Thanks for the heads up.